HAMMAM CULTURE AND TEXTILES IN OTTOMAN HISTORY

HAMMAM CULTURE AND TEXTILES IN OTTOMAN HISTORY


Abstract views: 421 / PDF downloads: 124

Authors

DOI:

https://doi.org/10.5281/zenodo.11365687

Keywords:

Hammam Textiles, Towel, Hammam Ritual, Adornment, Ethnography.

Abstract

For thousands of years, the Turkish people have had a deep appreciation for water, which has led to the development of traditional hammam rituals influenced by Anatolian culture and Islam. Textile materials were also necessary for these rituals. During the Ottoman Empire, the quality of hammam textiles and adornments determined the social status of families who frequented the hammams. Today, Turkish hammams are renowned worldwide for their unique cultural significance. The use of adornment, which originated in palaces, extended to the public and was applied to hammam textiles. These textiles are considered works of art and are used in rituals such as bride and groom hammams, circumcision hammams, and military hammams. The towel, an essential bath textile, was initially called 'pile' due to the loops on its fabric surface and has since evolved into the modern-day towel. Its most significant characteristic is its ability to absorb water due to the 'pile' loops. As a result, it is particularly favored in damp environments. The towel, typically featuring a looped texture, can also be woven without loops. These towels are often embellished with embroidery and are commonly referred to as peshkir, mezel, fringed, destimal, oilcloth, environment, handkerchief, makrama, gergah flarkiri, yağdan, face cloth, peshtamal, üslük, or futa.  While these products may have varying local names due to differences in size and intended use, they all serve the purpose of drying, wiping, and covering. This study aims to examine Ottoman hammam textiles in historical records and explain the significance of the Turkish towel in textile production history. The study conducted document analysis by directly using archives and collections. It is important in revealing the relations between historical processes and addressing methodological elements, and aims to contribute to the existing field. The Ottoman Palace records refer to this item as a hammam shirt. It is the only bath shirt in the palace that belonged to Sultan Murad IV (1623-1640), and it has been preserved to this day. The book 'One Hundred Years of the Royal Turkish Towel from 1851 to 1951' is another significant source for information on the towel. It details the establishment of the Royal Turkish Towel Industry in England. This source explains how the Turkish towel inspired the world in the development of towel production technology.

References

Başarır, Ö. (2011). XVIII. Yüzyıl Osmanlı Taşrasında Statü-Servet İlişkisi Üzerine Bir Değerlendirme, International Journal of History, 3: 56-57.

Christy, W. M., Sons, Ltd. (1951). 100 Years of The Royal Turkish Towel. Manchester.

Çakmut, F. (2006). Hamam, Osmanlı’da Yıkanma Geleneği ve Berberlik Zanaatı, Osmanlı’da Hamam Geleneği. Topkapı Sarayı Müzesi Sergi Kataloğu, İstanbul.

Ertuğrul, A. (2009). Hamam Yapıları ve Literatürü. Türkiye Araştırmalar Literatür Dergisi, 13 (7): 242-260.

Kayaoğlu, İ. G. (1998) Eski İstanbul’da Gündelik Hayat. Aksoy Yayıncılık, İstanbul.

Koçu, E. R. (1969). Türk Giyim Kuşam Sözlüğü. Sümerbank Kültür Yayınları, Ankara.

Kütükoğlu, M. S. (1978). 1009 (1600) Tarihli Narh Defterine Göre İstanbul’da Çeşitli Eşya ve Hizmet Fiyatları. İstanbul Üniversitesi Edebiyat Fakültesi Tarih Enstitüsü Dergisi.

Kütükoğlu, M. S. (1983). Osmanlılarda Narh Müessesesi ve 1640 Tarihli Narh Defteri. Enderun Kitabevi, İstanbul.

Önder, Ö. (1995). Antika ve Eski Eserler Kılavuzu. Türkiye İş Bankası Kültür Yayınları, Ankara.

Sancar, A. (2010). Osmanlı Kadını Efsane ve Gerçek. Kaynak Yayınları, İstanbul.

Tezcan, H. (2009). Eski Hamam Eski Tas, Osmanlı Hamam Tekstilinin Tarihçesi. Sergi Kataloğu, İstanbul.

Topçu, E. (2010). Ab-ı Hayat Geçmişten Günümüze İstanbul’da Su ve Su Kültürü, Adell Armatür ve Vana Fabrikaları A. Ş. Sergi Kataloğu, İstanbul.

Topçu, E. (2013). El Emeği Göz Nuru İşlemeli Havlular Peşkirler. Collection Dergisi.

Tufan, Ö. (2006). Hamam, Osmanlı’da Yıkanma Geleneği ve Berberlik Zanaatı, Hamam Malzemeleri. Topkapı Sarayı Müzesi Sergi Kataloğu, İstanbul.

Yayınlanmamış, 1632-1640 Tarihli Sultan IV. Murat’ın Hamam Gömleği, İstanbul: Topkapı Saray Müzesi, 13-476 Numaralı Arşiv.

Yayınlanmamış, 19. Yüzyıla ait 134 cm. Uzunluk ve 35 cm. Genişlikteki İki Sedir Yastığı. İstanbul: Topkapı Saray Müzesi, 8-636 Numaralı Arşiv.

Yayınlanmamış, 19. Yüzyıla Ait Geç Beyaz Sedir Örtüsü 350 cm. Uzunluk ve 45 cm. Genişliktedir. İstanbul: Topkapı Saray Müzesi, 8-638 Numaralı Arşiv.

Yegül, F. K. (2009). Anadolu Su Kültürü: Türk Hamamları ve Yıkanma Geleneğinin Kökleri ve Geleceği. Ankara Üniversitesi Dil ve Tarih Coğrafya Fakültesi Anadolu (Anatolia) Dergisi 35: 99-118.

Yentürk, N. (2010). Kültür Tarihimizde Hamam. Tematik Türkoloji Dergisi, 2: 94-102.

Published

2024-05-28

How to Cite

KOÇAK, S. Çiğdem. (2024). HAMMAM CULTURE AND TEXTILES IN OTTOMAN HISTORY: HAMMAM CULTURE AND TEXTILES IN OTTOMAN HISTORY. Socrates Journal of Interdisciplinary Social Studies, 10(41), 21–34. https://doi.org/10.5281/zenodo.11365687