ATANAS KARAÇOBAN'S ART APPROACH
ATANAS KARAÇOBAN'IN SANAT ANLAYIŞI


DOI:
https://doi.org/10.5281/zenodo.15019309Keywords:
Atanas Karaçoban, Art, Drawing,, SculptureAbstract
This article deals with Atanas Karaçoban's understanding of art, his use of techniques and materials, the themes in his works and the difficulties he encountered. Karaçoban has produced important works in sculpture and drawing art by reflecting the Gagauz cultural identity in his art. While dealing with mythological figures, historical events and national identity elements in his works, he combines traditional and modern techniques. The artist's aesthetic understanding is not only limited to artistic form and technique, but is also considered as a cultural narrative. The article analyses Karaçoban's artistic journey from his childhood years when his family encouraged him to pursue art and how his migration to Turkey after the collapse of the Soviet Union shaped his artistic production. The artist's material choices, technical applications and the importance he attaches to drawing works in his sculpture practice are discussed. In addition, the difficulties he faced in the art world, his academic career and his views on his artistic legacy are discussed and the lasting traces he left in art are analysed. This study is based on a literature review and document analysis on the artist's works and artistic views. These data were supported by personal interviews with the artist.
References
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Cebotari, N. (2023, 19 Eylül). Dünyanın Ünlü Gagauzları: Atanas Karaçoban–Heykeltıraş, Sanatçı, Çok Yönlü Yeteneklere Sahip Kişilik, Laf. md, Erişim 10 Şubat 2025, https://laf.md/2023/09/19/dunyanin-unlu-gagauzlari-atanas-karacoban-heykeltiras-sanatci-cok-yonlu-yeteneklere-sahip-kisilik/
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Gagauziya Radio Televizionu. (2023, 14 Kasım). Gagauziya Gün Gündän, Atanas Karaçoban [Video]. Youtube. https://www.youtube.com/watch?v=--4zBuh9reE
Golban, T., & Karaçoban, A. (2021). Aeschylus, sophocles, euripides and menelaos shaping the significance of electra myth: A dialogue between arts. HUMANITAS-Uluslararası Sosyal Bilimler Dergisi, 9(18), 112-129. https://doi.org/10.20304/humanitas.886011
Karaçoban, A. (2020). Rölyef heykelde üç basamak. Uluslararası Halkbilimi Araştırmaları Dergisi, 3(4), 286-299.
Karaçoban, A. (2016). Heykel sanatında desenin rolü. Sanatta yeterlik tezi, Gazi Üniversitesi.
Karaçoban, M. (2023). Gagauz resminde milli kimlik özellikleri ve çağdaş sanat uygulamalarına yansıması. Sanatta yeterlik tezi, Hacı Bayram Veli Üniversitesi.
Görsel Kaynakçası
Görsel 1. Atanas Karaçoban, Desen çalışmaları, 2024, Kâğıt Üzerine Füzen https://www.facebook.com/photo/?fbid=10161566512153050&set=pcb.10161566512953050
Görsel 2. Atanas Karaçoban, Geçmişin Rüzdarları, 2013, Tuval Üzerine Akrilik Boya
Karaçoban, M. (2023). Gagauz Resminde Milli Kimlik Özellikleri Ve Çağdaş Sanat Uygulamalarına Yansıması, (Sanatta yeterlik tezi, Hacı Bayram Veli Üniversitesi) YÖK Ulusal Tez Merkezi.
Görsel 3. Atanas Karaçoban, Osman Hamdi Bey heykel çalışması, 2016 https://www.facebook.com/photo.php?fbid=10156032606918050&set=t.718938049&type=3
Görsel 4. Atanas Karaçoban, Barış Manço Anıtı, Beyaz Beton ve Mermer Tozu, 2001
https://www.facebook.com/photo/?fbid=10161566512153050&set=pcb.10161566512953050
Görsel 5. Atanas Karaçoban, Doğu Motifi, Mermer Yontma, 2024
https://www.facebook.com/photo?fbid=10161566512298050&set=pcb.10161566512953050
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