ATANAS KARAÇOBAN'S ART APPROACH

ATANAS KARAÇOBAN'IN SANAT ANLAYIŞI


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Authors

DOI:

https://doi.org/10.5281/zenodo.15019309

Keywords:

Atanas Karaçoban, Art, Drawing,, Sculpture

Abstract

This article deals with Atanas Karaçoban's understanding of art, his use of techniques and materials, the themes in his works and the difficulties he encountered. Karaçoban has produced important works in sculpture and drawing art by reflecting the Gagauz cultural identity in his art. While dealing with mythological figures, historical events and national identity elements in his works, he combines traditional and modern techniques. The artist's aesthetic understanding is not only limited to artistic form and technique, but is also considered as a cultural narrative. The article analyses Karaçoban's artistic journey from his childhood years when his family encouraged him to pursue art and how his migration to Turkey after the collapse of the Soviet Union shaped his artistic production. The artist's material choices, technical applications and the importance he attaches to drawing works in his sculpture practice are discussed. In addition, the difficulties he faced in the art world, his academic career and his views on his artistic legacy are discussed and the lasting traces he left in art are analysed. This study is based on a literature review and document analysis on the artist's works and artistic views. These data were supported by personal interviews with the artist.

References

Başkent gazetesi (2018, 12 Aralık). Türk Dünyasının Sembolüne Çalışıyorum, Başkent Gazetesi, https://www.baskentgazete.com.tr/turk-dunyasinin-sembolune-calisiyorum

Cebotari, N. (2023, 19 Eylül). Dünyanın Ünlü Gagauzları: Atanas Karaçoban–Heykeltıraş, Sanatçı, Çok Yönlü Yeteneklere Sahip Kişilik, Laf. md, Erişim 10 Şubat 2025, https://laf.md/2023/09/19/dunyanin-unlu-gagauzlari-atanas-karacoban-heykeltiras-sanatci-cok-yonlu-yeteneklere-sahip-kisilik/

Gagauz Ressamları Birliği (1993). Gagauz Ressamları, Gagauz Ressamları Birliği, Komrat.

Gagauziya Radio Televizionu. (2023, 14 Kasım). Gagauziya Gün Gündän, Atanas Karaçoban [Video]. Youtube. https://www.youtube.com/watch?v=--4zBuh9reE

Golban, T., & Karaçoban, A. (2021). Aeschylus, sophocles, euripides and menelaos shaping the significance of electra myth: A dialogue between arts. HUMANITAS-Uluslararası Sosyal Bilimler Dergisi, 9(18), 112-129. https://doi.org/10.20304/humanitas.886011

Karaçoban, A. (2020). Rölyef heykelde üç basamak. Uluslararası Halkbilimi Araştırmaları Dergisi, 3(4), 286-299.

Karaçoban, A. (2016). Heykel sanatında desenin rolü. Sanatta yeterlik tezi, Gazi Üniversitesi.

Karaçoban, M. (2023). Gagauz resminde milli kimlik özellikleri ve çağdaş sanat uygulamalarına yansıması. Sanatta yeterlik tezi, Hacı Bayram Veli Üniversitesi.

Görsel Kaynakçası

Görsel 1. Atanas Karaçoban, Desen çalışmaları, 2024, Kâğıt Üzerine Füzen https://www.facebook.com/photo/?fbid=10161566512153050&set=pcb.10161566512953050

Görsel 2. Atanas Karaçoban, Geçmişin Rüzdarları, 2013, Tuval Üzerine Akrilik Boya

Karaçoban, M. (2023). Gagauz Resminde Milli Kimlik Özellikleri Ve Çağdaş Sanat Uygulamalarına Yansıması, (Sanatta yeterlik tezi, Hacı Bayram Veli Üniversitesi) YÖK Ulusal Tez Merkezi.

Görsel 3. Atanas Karaçoban, Osman Hamdi Bey heykel çalışması, 2016 https://www.facebook.com/photo.php?fbid=10156032606918050&set=t.718938049&type=3

Görsel 4. Atanas Karaçoban, Barış Manço Anıtı, Beyaz Beton ve Mermer Tozu, 2001

https://www.facebook.com/photo/?fbid=10161566512153050&set=pcb.10161566512953050

Görsel 5. Atanas Karaçoban, Doğu Motifi, Mermer Yontma, 2024

https://www.facebook.com/photo?fbid=10161566512298050&set=pcb.10161566512953050

Published

2025-03-13

How to Cite

KARAÇOBAN, M. (2025). ATANAS KARAÇOBAN’S ART APPROACH: ATANAS KARAÇOBAN’IN SANAT ANLAYIŞI. Socrates Journal of Interdisciplinary Social Studies, 11(51), 110–124. https://doi.org/10.5281/zenodo.15019309