THE ART of SCULPTURE and ITS HISTORICAL

Abstract

Sculpture, with its own materials, methods and techniques, is an important means of expression that still represents the present as an independent art discipline sculpture studies that started simultaneously with the history of humanity; It also serves as a document in terms of obtaining the clues of retrospective life. The works reflecting the projection of the society in the primitive period represent the power of the rulers in the agricultural societies. The exchange of emotions, the power of expression and the plastic effect that the art of sculpture has brought to a high level in the concept of monumentality has always been an area that the authority covets However, with the Renaissance and Enlightenment periods, the view on art changed to a great extent, after a radical break, the way of making art and the understanding of art became free, and the process of spontaneous style and original works began. Henceforth, artist accepted as the art of “accumulating memory” within the framework of a public status, as a special area of activity for human beings, and begins to manage a process that is constantly trying to surpass itself in its inner contradiction change and transformation became more institutionalized and more fragile with Modernism, which came into existence in the anti-capitalist contradiction and thus begins the period of avantgarde studies; the content of art is conceptualized; while the contradictions of nature and humans are handled and embodied in a causality inquiry, extreme examples based on abstract images emerge. The artwork turns into an object shared with the public as an act of design and creation in the compartments of the art regime; in terms of its way of expressing an unnecessary, contradictory, provocative or agitating, a class-based concept or an image or a commissioned subject: itself. Through the self-conspiracy and death of art; the main purpose of the article is to determinethe talk about a present in which the debates diversify vertically and horizontally, and gradually the circles grow and expand and go beyond art within the concept of publicity in terms of art regime.